Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | 'His superior ideas are the consequences of those inferior ones': Influence and Independence in Bach's Early Creative Development. |
[p]BNUK_Oxford |
| | Jan 2008 |
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| 2. | Bach materials in the Berlin Sing-Akademie: a preliminary stock-taking. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
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| 3. | Performance and Reception of Bach's Matthew Passion in Berlin, 1829. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
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| 4. | An Early English Imprint of the B minor 'Crucifixus'. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
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| 5. | Nineteenth-Century Legacy Projected onto the Twenty First: A German-Israeli Dialogue on Bach's Passions. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
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| 6. | Anna Magdalena as Bach's Copyist. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
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| 7. | The 'Weimar Organ Tablature': Bach's Earliest Autographs. |
[p]BNUK_Oxford |
| | Jan 2008 |
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